Proteus Entertainment
Michelle Areyzaga & Jamie Shaak
The Sun is Love
"The Sun Is Love"
Michelle Areyzaga and Jamie Shaak
Released October, 2005
Proteus Entertainment Inc.
Selection number 0015
UPC 8 5071-00015-2 7
Produced by Andrew Twiss, Michelle Areyzaga & Jamie Shaak.
Executive Producers Gerry Fisher and Jim Manfre.
Recorded in 2004 at Rudolph Ganz Hall, Roosevelt University, Chicago, Illinois.
Engineered and mixed by Andrew Twiss.
Mastered by Michael Lyons at Lyonshead Mastering Studio, Hoffman Estates, Illinois.
Art direction by Eric Hofmeister (Scientists of Media).
Cover art by Jennifer Schueler.
Artist Photos by Larry Lapidus & Jennifer Girard.
Though Love Be A Day
Songs on poems by E.E.Cummings & Gwyneth Walker*
Thy fingers make early flowers 3:44
lily has a rose 1:59
after all white horses are in bed 3:25
maggie and milly and molly and may 1:27
Still* 5:10
Rhythms of the North Country (piano solo) 3:51
Mornings Innocent
Songs on poems by May Swenson
7. Women Should Be Pedistals 2:40
8. Mornings Innocent 3:11
9. In Autumn 4:05
10. I Will Be Earth 2:55
11. Semplice (piano solo) 3:17
The Sun Is Love
Songs based on the poetry of Jelaluddin Rumi
translated by Doleman Barks
12. Circling the Sun 2:59
13. Quietness 1:33
14: Flirtation 4:56
15. Dualities 4:58
16. A Waterbird (Flying into the Sun) 3:31
Michelle Areyzaga has appeared in principal operatic roles from Baroque to contemporary. Her professional debut was in the role of The Girl in The Kaiser of Atlantis with Chicago Opera Theater, and Opera Magazine praised her for her “Stunning…beautiful pianissimo in the upper range.” Since then she has gone on to show her vocal diversity in roles including Cunegonde, Pamina, Susanna, Sophie (Werther), Musetta, Lauretta, Adele, Zerlina, Despina, Serpina, and Belinda, for companies such as Lyric Opera Center for American Artists, Chicago Opera Theater, Opera Theatre Highland Park, DuPage Opera Theatre, Light Opera Works, and Orquesta Sinfónica del Estado de México. Ms Areyzaga’s concert work includes performances throughout the United States, and she has received critical acclaim for her interpretation of contemporary American music.
Pianist Jamie Shaak has performed at the Kennedy Center and Lincoln Center in NYC. Miss Shaak has performed concertos with the Denver Symphony Orchestra, the Illinois Philharmonic Orchestra, the National Repertory Orchestra, the Centennial Orchestra, The Waukegan Symphony, The Mercury Ensemble and the Arapahoe Philharmonic Orchestra. In April of 2005 Miss Shaak will perform the Mozart two- piano concerto with her mother Carolyn Shaak and the Arapahoe Philharmonic Orchestra of Denver, Colorado. In Thailand, Laos and India she toured as a Musical Ambassador with the United States Information Service. She returns bi-annually to
perform with the American Piano 4-tet in Thailand and Laos.
Ms. Shaak and Ms. Areyzaga have performed Gwyneth Walker's music throughout the United States and were featured twice on Chicago's WFMT radio broadcast "Live from WFMT".
Composer Gwyneth Walker (b. 1947) is a graduate of Brown University and the Hartt School of Music.A former faculty member of the Oberlin College Conservatory, she resigned from academic employment in 1982 in order t pursue a career as a full-time composer. She now lives on a dairy farm in Braintree, Vermont. She is the recipient of the Year 2000 “Lifetime Achievement Award” from the Vermont Arts Council. Walker’s catalog includes over 130 commissioned works for orchestra, band, chorus and chamber ensembles.
Michelle Areyzaga
Michelle Areyzaga & Jamie Shaak Reviews
Sunny soprano shines in 2006
By Dorothy Andries – Classical Music Critic
dandries@pioneerlocal.com
Artist of the Year
Soprano Michelle Areyzaga sings like an angel, and every time she performs she sounds better than the last time. When she sang with the Lake Forest Symphony in Grayslake in late October, it seemed that Mozart’s “Exsultate, jubilate” had been written just for her.
Areyzaga has been singing in the Chicago area since the late 1990’s but she seemed to burst onto the North Shore music scene in 2004, when she sang the enchanting “Les Nuit d’ ete by Berlioz with the Ars Viva Orchestra at the North Shore Center for the performing arts in Skokie.
She was engaged the following year to sing Benjamin Britten’s “Les Illuminations”.
Last June she appeared with the North Shore Choral Society, under the direction of Donald Chen, for it’s big 70th anniversary concert at Pick Staiger Concert Hall in Evanston. The work was Robert Schumann’s massive “Paradise and the Peri”. Areyzaga sang the Peri to tumultuous applause and critical acclaim.
In November she was a soloist with the Alan Heatherington’s Chicago Master Singers and his Ars Viva Orchestra in the Mozart “Requiem” in Techny’s Divine Word Chapel.
The sunny soprano, who lives in Aurora, holds a degree in voice performance from the Chicago College of Performing Arts at Roosevelt University and has become a favorite with area conductors. Not only has she been taped by Heatherington, but she has come to the attention of Stephen Alltop of Northwestern University, conductor of the Apollo Chorus in Chicago and director of programs at Alice Millar Chapel in Evanston.
“She is so flexible and so easy to work with”, Alltop said, “in addition to that radiantly lovely voice”. He has engaged her to sing in the Apollo Chorus Presentation of Handel’s “Solomon” the afternoon of March 4 at the Harris Theater in Chicago.
Areyzaga has also worked extensively with conductor Francesco Milioto, director of programs at the Chicago Cultural Center and assistant conductor of the Highland Park Strings. She sang Pamina in his production of “The Magic Flute” last summer and is scheduled to sing Samuel Barber’s powerful “Knoxville: Summer of 1915” with his New Millennium Orchestra Jan 26 at the Cultural Center.
“Michelle sang Zerlina in the first opera I did back in Chicago back in 1998 or 99”, said Milioto, who hails from Canada. “She has such grace and poise. The audience falls in love with her instantly. There is usually a barrier between a singer and an audience – she doesn’t have one. In addition to her fantastic singing voice, she has this wonderful gift of making the audience feel she is singing just for them”.
As a member of the audience, this critic has been immediately bewitched by her dazzling smile, then grandly entertained by her ever-more glowing soprano. And it was apparent that even as we enjoyed hearing her sing, she enjoyed singing for us just as much. Compelling reasons to spotlight Michelle Areyzaga as our Artist of the Year for 2006.
Aurora soprano brings down the opera house
“Good news! DuPage Opera Theatre, under the baton of Kurt Muspratt, has come up with just the right singers and musicians to make La Bohème crackle with excitement. Finding just the right Mimì helped.
“Michelle Areyzaga learned the role of Mimì in a very short span of time for this production. She did know the opera since she is often cast as the sexy Musetta in La Bohème.
“Areyzaga is one fine Mimì. She was able to give us just the right sounds. She discovers love in a darkened studio searching for a lost key with a young poet named Rudolfo, who runs with a wild and crazy group of Parisian young men. Areyzaga never strains her beautiful clear voice nor attempts to battle Musetta in high note duels. She is at her best breathing life into softer passages often raced over by other sopranos. Her death scene in Act IV was especially tender and realistic.
“The death of Mimì in Act IV was not overplayed by Areyzaga, who kept her voice devoid of gimmicks, leaving the final swirl of loud and dramatic notes to Muspratt and the inspired playing of the DuPage Opera Theatre Orchestra.
“At curtain call time, Muspratt and La Tour joined the cast on stage to enthusiastic applause but it was Michelle Areyzaga, the "Mimì of the Moment" who got the standing ovation.”
JIM EDWARDS SPECIAL TO THE BEACON NEWS - JULY 26, 2007
American Record Guide
November/December 2006
Walker: Songs Michelle Areyzaga, s; Jamie Shaak, p Proteus 15 – 55 minutes
These are agreeable songs in a neoromantic style based on poems by Cummings, Swenson, Rummi, and the composer Gweneth Walker. Walker’s idiom lies somewhere between Edward MacDowell and Broadway Ballade. This album’s appeal owes much to the singing of Michelle Areyzaga, who has sweet, unaffected voice and meticulous diction just right for these slight but appealing tunes. Jamie Shaak offers clear, sensitive accompaniment and plays two of Walker’s solo pieces.
Sullivan
October 2005
Gwyneth Walker - The Sun Is Love
Michelle Areyzaga, Soprano; Jamie Shaak, Piano
Proteus Entertainment 0015
Format: CD
Released: 2005
by John Crossett
johnc@soundstage.com
I don’t know how often it is that one gets to review new music by one’s neighbor, but I’ve been given that opportunity. Gwyneth Walker -- composer, Brown University and Hartt School of Music grad, and now Vermont dairy farmer -- lives less than an hour away from me, so I was looking forward to hearing contemporary classical songs from one of my home state’s adopted daughters.
The song cycles on this CD are based on carefully chosen poems by e.e. cummings, Ms. Walker, May Swenson, and Jelaluddin Rumi (translated by Coleman Barks), and are performed by soprano Michelle Areyzaga and pianist Jamie Shaak. This disc features musical numbers that have the feel of classical arias and a folksong influence that, when mixed together, create something that's quite intoxicating.
Ms. Areyzaga’s voice floats above the piano, weaving in and out of the songs/poems, always drawing the listener in. Ms. Shaak’s piano accompaniment is superbly rendered -- there when needed, yet still a part of the proceedings when allowing the singer space.
The recording of this Proteus Entertainment CD was handled well. The piano sounds real, with good tone and size. The voice is rendered properly, but it lacks that final bit of three-dimensionality (that SACD does so easily) to be totally believable as anything but a recording.
North Shore Diversions - 09-30-04
Acclaimed lyric soprano sings Berlioz song cycle
BY DOROTHY ANDRIES
CLASSICAL MUSIC CRITIC
Lyric soprano Michelle Areyzaga will perform Hector Berlioz's enchanting song cycle "Les nuits d'été" by with the Ars Viva Symphony Orchestra Sunday in Skokie.
"The Berlioz cycle is something I have been wishing to do for a long time," said maestro Alan Heatherington of Libertyville, founder and music director of Ars Viva.
Areyzaga had been recommended to him by conductors and friends in vocal performance, but he was most impressed by the enthusiasm that Maria Lagios, Areyzaga's teacher, and Richard Boldrey, who has been her vocal coach, expressed about her.
"Maria told me how much I would appreciate her artistry," Heatherington said, "and Richard has attested both to her musical excellence and her special personality both on and off stage. They both thought Michelle would be perfect for our Berlioz."
Areyzaga (pronounced A-REY-zaga) is one of the busiest singers in the Chicago area -- appearing during a daytime program July 18 on the stage of the Frank Gehry-designed Pritzker Pavilion as part of the week-long opening of Millennium Park. She also sang in the Music in the Loft series in February in a retrospective of the work of composer Lita Grier of Chicago.
"Michelle has a lovely clear, bright voice," Grier said. "She's a wonderful musician and did a splendid job with my songs. It suffused me with pleasure to hear her sing."
"I'm in love with her voice," added Marla Forbes of Highland Park, founder and artistic director of Opera Theatre North, formerly Opera Theatre Highland Park. "She was Susanna in our 'A Marriage of Figaro,' and Pamina in our 'Magic Flute.' She is an outstanding singer. Her voice quality and artistry are really superb."
"I love variety," said Areyzaga, when reached by telephone at her home in Aurora. "I sang 'Glitter and Be Gay' from 'Candide' at the Millennium Park festivities. Once you learn that difficult song, you might as well sing it everywhere."
The soprano enrolled in the Steans Institute of American Artists during the summer of 2001 and sang in the Ravinia Festival's Martin Theatre with other Steans singers the following June, during the national tour of the green Steinway piano designed by glass artist Dale Chihuly.
She also appeared in a program conducted by Erich Kunzel during the 2001 Ravinia Festival. "It was a tribute to Americana," the soprano said. "I sang 'The Boogie Woogie Bugle Boy' with two other female vocalists. It was so exhilarating, being on that stage."
Ravinia's president and CEO Welz Kauffman, himself a pianist, is a great supporter of the Steans students and alums.
"Michelle is one terrific singer," he declared. "She is admired for the purity and quality of her tone."
He has invited Areyzaga to represent the Ravinia Festival the evening of Oct. 15 during a dinner at the Palmer House, when the 100th anniversary of Ravinia Park will be honored by the Illinois Historical Society. She will sing Rachmaninoff's "Vocalese" and the Luna Negra Dance Company will take part.
"Welz is doing the accompaniment," Areyzaga said, "and he's wonderful. His heart is in the music."
During her undergraduate years at Roosevelt University, the soprano imagined that her career would lead her to New York City.
"But it hasn't turned out that way," she said. "I have a husband -- who is not a singer -- and a little boy. I couldn't be any busier. One day I'm doing a baroque program, and two days later I'm doing a thorny world premiere.
"Now I'm doing the wonderful Berlioz songs for the first time. I've performed at the North Shore Center and the acoustics are marvelous. I can't think of a better place to sing them."
The Ars Viva Symphony Orchestra performs at 7:30 p.m. Sunday in the North Shore Performing Arts Center, 9501 Skokie Blvd., Skokie. The program also includes Prokofiev's Symphony No. 1 ("Classical") and Beethoven's Symphony No. 3 ("Eroica"). For information, call (847) 615-1811.
AREYZAGA-SHAAK CONCERT DISPLAYS VOCAL CHARMS OF SPAIN, AMERICA
A Review of the November 15, 2000 Dame Myra Hess Memorial Concert
By Dan Tucker
You might guess from her name that soprano Michelle Areyzaga would have
an affinity for Spanish music. The guess would be right, but hardly
adequate. In her recital titled "Songs of Spain and America," Areyzaga
clearly reveled in the songs of four Spanish composers. She not only
sang them well but seemed to embrace them, words and music. Not that
she is limited to Spain; half the concert was devoted to 20th Century
American composers. All ten of these songs showed musical imagination,
charm and personality--which are also specialties of this singer--and
made you want to hear more from the composers.
Areyzaga's full, bright voice, expressive face and gestures, and
nuanced phrasing made the most of it -- And pianist Jamie Shaak's
finely textured playing was a pleasure to hear.
Jamie Shaak
Thank you for your interest and support.
Copyright 2007 Proteus Entertainment Inc.
This collection of song cycles and piano music by American composer Gwyneth Walker contains settings of poetry by E. E. Cummings, May Swenson, and the Sufi mystic, Rumi.
Michelle Areyzaga has been praised for her ravishing soprano in opera and song and Jamie Shaak’s piano artistry has been heard at the Kennedy Center and at Lincoln Center in New York.
This recording is a labor of love, as these two peerless artists team up to introduce a wider audience to the music of one of America’s most gifted composers.
Already well known for her choral settings, Gwyneth Walker here breaks new ground in these sensitive and lavish renderings for soprano and piano. The quality of Ms. Walker’s piano music is further highlighted in two original and fascinating piano solos.
